grunge; Wu Tang Clan. Radiohead. Wonderwall. The music of the ’90s was as exciting as it was diverse. But what does it say about the era — and why does it still matter? 60 songs explaining the 90s He’s back for 30 more episodes to try and answer these questions. join ringer Music writer and ’90s survivor Rob Harvella as he navigates the soundtrack of his youth, one song (and an embarrassing tale) at a time. follow and Listen for free exclusively on Spotify. in Episode 68 From 60 songs explaining the ’90s –Yes, you read that right — we’ve broken down Verve and its controversial classic, “Bitter Sweet Symphony.”
So there is an old spiritual gospel called “This may be the last time,” or sometimes you see “This may be the last time.” Spend plenty of time in the right church and you’ll hear and love it. Here’s a YouTube video of a Georgia Baptist church doing this in 2010. Obviously very few of the people in this video are sitting, and if you’re sitting, huh, look at that, now you’re not sitting.
The most famous version of this song was brought to us by Staple Singers, outta Chicago, one of the most beloved soul/R&B/gospel groups in recorded history. Their 45-rpm solo version of “This May Be My Last Time” was initially released in 1954. Bob’s Staples and his son Pervis and daughters Cleota and Mavis; His daughter Yyvone will later join the fold as well. Mavis Staples is the only surviving member of the group; She turns 83 in July, and she’s actually on tour this summerIn the summer of 2022 with Bonnie Wright. You’ll want to go ahead and see that. Here we have Staple Singers doing “This Might Be the Last Time” in fifties.
And then, pay attention: here is the Rolling Stones.
Yes, it’s the archetype of Mr. Checkbones Frontman vs. Mr. Guitar Good Showdown: Mick Jagger vs. Keith Richards. The Rolling Stones’ Last Time – written by Mick and Keith – was released in 1965. In his autobiography, life, from 2010, Keith Richards wrote of the early 1960s, “Now we and Mick knew our job was really to write songs for the stones. It took eight or nine months before we came up with ‘The Last Time’, the first movie we felt we could make for the rest of us.” Guys without sending them out of the room.” He adds, “The song has the first guitar or rock character; the chorus is from the Staple Singers version, “This might be the last time.” We can work with that hook; now we had to find the verse.” When Mick and Keith found the clip, Keith described the score as “a song about going down the road and throwing some chick.” is over.
Rock and Roll Music. The Stones never tried to erase Staple Singers from the equation, it would be perverted – in another book from 2003 called According to the Rolling StonesKeith says, “We came up with The Last Time, which was basically a re-adapt of a traditional gospel song sung by Staple Singers, but thankfully, the song itself harkens back to the mists of time.” is over. What he means is that the song is so old that as far as songwriting credit goes, he and Mick don’t have to share the credit or money with anyone. Rock and Roll Music.
Then watch out: here’s Andrew Log Oldham.
Yes, Andrew Oldham, the famous Rolling Stones manager in the 1960s, and the famous Rolling Stones producer in the 1960s. In 1966, a group called the Andrew Oldham Orchestra released an album called Rolling Stones songbook. That was, of course, their version of “Last Time”, but that of course wasn’t part of their version of “Last Time” you know so much.
And after 30 or so years, our son Richard Ashcroft gets that record, hears that rage, and as he’ll say later rolling rock, he knows right away that this scum can “turn into something outrageous”. And it’s that simple.
This part of this story is so painful and so well known that let’s take it away, shall we? “Bitter Sweet Symphony” is the first song on Verve’s third full-length album, urban hymns, released in 1997; If you open a file urban hymns CD brochure In 1997, liner notes, you’ll be told “Bitter Sweet Symphony” was written by Mick Jagger and Keith Richards, and performed by Andrew Oldham orchestra. Richard Ashcroft’s words. That was nice, to let him have that, right now? Buncha suits behind this nonsense. Officially, Verve has essentially been dissuaded from famed rock and roll director Allen Klein, who has worked with and/or fought on court with both the Beatles and the Rolling Stones. It was Allen Klein who was controlling much of the Rolling Stones catalog at this time, and since this song was already a hit, Allen Klein refused to clear the “Bitter Sweet Symphony” sample unless Mick and Keith got all the credit, and money. Or, more likely, the guy who handled the money for Mick and Keith, who got all the money. In private, it is said that Mick and Keith loved the “Bitter Sweet Symphony”, but refused to engage in these quarrels, or defend Richard. Rock and Roll Music.
I don’t remember a time when “Bitter Sweet Symphony” was popular but not everyone knows the sordid history of “Bitter Sweet Symphony” until now. In my memory, everyone has always known this. Or knew the broad strokes of it. The fact that Richard Ashcroft flew four bars of a cheesy orchestral cover off a Rolling Stones semi-casing for a final version of the Staple Singers for a Bible standard, then threw 500 tons of super boring over that sample along with his band, and then lost all credit and all money to the original sample Four Bars – This fail is a staple of “Bitter Sweet Symphony”. The song is about what happened to the man who wrote the song after he wrote the song. The song is about the young man losing the song even as he sings it.
Richard Ashcroft’s big line at the time, about this entire tragic legal squabble, was that “Bitter Sweet Symphony” was “the best song Jagger and Richards have written in 20 years.” This is a great line. Quite frankly. That’s as good a line as any he wrote in this song.
To hear the full episode click hereAnd the And make sure of it Follow on Spotify And check back in every Wednesday for new episodes about the decade’s hottest hits. This excerpt has been edited slightly for clarity and length.